All quotes taken from A Moveable Feast, Ernest Hemingway’s memoir about his life as a writer in Paris:
1. “Do not worry. You have always written before…”
I would stand and look out over the roofs of Paris and think, “Do not worry. You have always written before and you will write now.”
2. All You Need to Write Is…
The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful), the marble topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck, you carried a horse chestnut and a rabbit’s foot in your right pocket.
3. Write One True Sentence
“All you have to do is write one true sentence. Write the truest sentence that you know.” So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say.
4. Cut Out the Ornamentation
If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written.
5. Don’t Think About Your Writing When you’re Not Writing
It was in that room too that I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything.
6. Write as Straight as You Can Ernest Hemingway to F. Scott Fitzgerald:
“Write the best story that you can and write it as straight as you can.”
7. Write What You Know
Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline.
8. Allow Painters to Influence You
I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret.
9. Don’t Repeat Yourself
This book began magnificently, went on very well for a long way with great stretches of great brilliance and then went on endlessly in repetitions that a more conscientious and less lazy writer would have put in the waste basket.
It was necessary to get exercise, to be tired in the body, and it was very good to make love with whom you loved. That was better than anything. But afterwards, when you were empty, it was necessary to read in order not to think or worry about your work until you could do it again.
11. Never Empty the Well of Your Writing
I had learned already never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.
12. After You Write, Read When
I was writing, it was necessary for me to read after I had written. If you kept thinking about it, you would lose the thing that you were writing before you could go on with it the next day.
13. Let the Pressure Build When
I had to write it, then it would be the only thing to do and there would be no choice. Let the pressure build. In the meantime I would write a long story about whatever I knew best.
14. What Do You know Best?
What did I know best that I had not written about and lost? What did I know about truly and care for the most? There was no choice at all.
15. Omit Anything You Want (As Long As You Know You’re Doing It)
It was a very simple story called “Out of Season” and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.
16. Stay Sound in Your Head All
I must do now was stay sound and good in my head until morning when I would start to work again.
17. If You Can’t Write, Don’t Write
To an aspiring writer: “You shouldn’t write if you can’t write.”
18. It’s Okay to Be Shy …
[F. Scott Fitzgerald] had the shyness about it that all non-conceited writers have when they have done something very fine.
19. But Don’t Pimp Your Writing
[F. Scott Fitzgerald] had told me at the Closerie des Lilas how he wrote what he thought were good stories, and which really were good stories for the Post, and then changed them for submission, knowing exactly how he must make the twists that made them into salable magazine stories. I had been shocked at this and I said I thought it was whoring…. I said that I did not believe anyone could write any way except the very best he could write without destroying his talent.
20. Break Down Your Writing
Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do. But it was very difficult, and I did not know how I would ever write anything as long as a novel. It often took me a full morning of work to write a paragraph.
21. Forget Living the “Literary Life”
I was getting tired of the literary life, if this was the literary life that I was leading, and already I missed not working and I felt the death loneliness that comes at the end of every day that is wasted in your life.
22. Don’t Drink While You Write
My training was never to drink after dinner nor before I wrote nor while I was writing.
23. Don’t Judge Your Writing
Until the Next Day After writing a story I was always empty and both sad and happy, as though I had made love, and I was sure this was a very good story although I would not know truly how good until I read it over the next day.
Bonus Quotes from Hemingway’s Mentors These quotes are not from Ernest Hemingway, but they are tips to Ernest Hemingway from his friends and mentors which he captured in A Moveable Feast:
24. Be Careful About Writing About Sex
“It’s good,” [Gertrude Stein] said. “That’s not the question at all. But it is inaccrochable. That means it is like a picture that a painter paints and then he cannot hang it when he has a show and nobody will buy it because they cannot hang it either.”
25. What We Lack Most
“We need more true mystery in our lives, Hem,” [Evan Shipman] once said to me. “The completely unambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance.”
26. Only Read What Is Good Gertrude Stein told Ernest Hemingway:
You should only read what is truly good or what is frankly bad.